About me

david abraham

I’m a multimedia designer at California WIC, the nutrition program for mothers, infants and young children. But my path wasn’t exactly linear. Before this, I was at UC Davis studying physiology and behavior, fully prepared for medical school.

I left that world for a pretty simple reason because I couldn’t imagine spending my life inside a building with clinical white walls. To be honest, I just wanted to spend my days making things.

Here’s my take on design, and not everyone agrees. If it only looks good, it’s useless. A beautiful piece that doesn’t move people is just decor. Everything I create has a specific job to do, and if I can’t explain exactly what that job is, I know I don’t understand the project yet. Looking good still matters, but it isn't the point. It's how you earn the three seconds someone spends deciding whether to keep reading.

That perspective comes from working in public health. When a layout is confusing here, it means someone might miss out on benefits they actually qualify for. In my world, there’s no room for "pretty" if it doesn’t perform.

A few things I’ve built recently:

  • Welcome to WIC, a video campaign rebuilt in 11 language versions and distributed to 83 local agencies and more than 500 service sites across California

  • A Farmers' Market nutrition video now past 100,000 views

  • A 14-page impact report and design system for re:WORK Training, a Chicago nonprofit

  • A sponsorship presentation used to secure $8,000 for a national convention

Outside of my 9-to-5, I’m building ODUMAGU, a brand dedicated to bringing Igbo culture to the diaspora and creating a world that truly reflects the people in it. As an Igbo-Nigerian, I want our culture to be everywhere, and specifically authentic, vibrant, and well-designed. That’s also why I love partnering with businesses across the African diaspora.

The biggest lesson I’ve learned is that the growth never really stops. I’ll look at work I did a year ago and see exactly what I’d change today, and I fully expect to feel that same way about this year’s work a year from now.

what I can do for you

As a multimedia designer, I am a visual storyteller. I make print, video, photography, and web that connects with the reader and moves them to act.

1. Collateral & Publications

Donor proposals and cases for support

Impact reports and program briefs

Infographics, timelines, and data visualization

Print-ready files and vendor handoff

Accessiblle PDFs - Section 508 and WCAG 2.1 AA

2. Presentations

Presentation decks for donors and leadership

Editable PowerPoint your team can update without me

Simple animation and motion inside the deck

Reusable slide systems and templates

3. Video & Photography

Filming and editing in Premiere

Stewardship and thank-you videos

On-site photography for print and digital

Retouching and color correction

4. Web & Event Identity

Custom microsites built for one audience

Event branding through invitations and signage

Responsive sites built in Framer

Digital asset organization and handoff

5. Creative Direction

Recommending the right format for the message

Art direction across a campaign or event

Storyboards and treatments before production

Piloting new formats and tools

1. Collateral & Publications

Donor proposals and cases for support

Impact reports and program briefs

Infographics, timelines, and data visualization

Print-ready files and vendor handoff

Accessiblle PDFs - Section 508 and WCAG 2.1 AA

2. Presentations

Presentation decks for donors and leadership

Editable PowerPoint your team can update without me

Simple animation and motion inside the deck

Reusable slide systems and templates

3. Video & Photography

Filming and editing in Premiere

Stewardship and thank-you videos

On-site photography for print and digital

Retouching and color correction

4. Web & Event Identity

Custom microsites built for one audience

Event branding through invitations and signage

Responsive sites built in Framer

Digital asset organization and handoff

5. Creative Direction

Recommending the right format for the message

Art direction across a campaign or event

Storyboards and treatments before production

Piloting new formats and tools

Discover My Journey in Design

From a small business back office to a state program serving a million people a month, my path has been shaped by one habit, designing for the person on the receiving end rather than the one signing off.

Communications Design Analyst

California Department of Public Health, WIC

2025 to Present

Communications Design Analyst

California Department of Public Health, WIC

2025 to Present

Multimedia Designer

Okike Digital

2020 to Present

Multimedia Designer

Okike Digital

2020 to Present

Operations Manager

Wilmington Business Center

2021 to 2022

Operations Manager

Wilmington Business Center

2021 to 2022

Market Garden Intern

UC Davis Student Farm

2023 to 2025

Market Garden Intern

UC Davis Student Farm

2023 to 2025

My Tech Stack

I build with intention. InDesign for publications. Premiere for video. Figma and Framer for web. Illustrator for icons and infographics. Each tool supports a different part of how the work gets made.

Adobe InDesign

Where multi-page work lives. Impact reports, fact sheets, publications, and anything that has to hold together across a lot of pages.

Adobe Illustrator

Icon sets, infographics, and anything that has to scale from a phone screen to a printed banner.

Adobe Photoshop

Photo editing and retouching for print and web.

Adobe Premiere Pro

Video editing. Campaign videos, recaps, and multi-language versions of the same cut.

Figma

Layout and interface work, and the fastest way to share something for review before it gets built.

Framer

Web design and build. This site runs on it.

Canva

Fast turnarounds and templates other people need to use after I hand them off.

Adobe Acrobat

Section 508 remediation. Tagging, reading order, and getting a PDF to pass before it ships.

How I Work

My process blends strategy and creativity to address challenges, craft solutions, and deliver work that lands. Five steps, whether it's a single graphic or a full campaign.


01.

Audience & Goal

Before anything else I want to know who’s reading, what they already think, and what they need to do next. That answer shapes every decision after it.

01.

Audience & Goal

Before anything else I want to know who’s reading, what they already think, and what they need to do next. That answer shapes every decision after it.

Research & Strategy

02.

Emotion & Direction

Color and imagery settle a lot before a word gets read, so I work out the feeling early. Sometimes that’s warmth and familiarity. Sometimes it’s energy and momentum.

02.

Emotion & Direction

Color and imagery settle a lot before a word gets read, so I work out the feeling early. Sometimes that’s warmth and familiarity. Sometimes it’s energy and momentum.

Feedback & Refinement

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

05.

Accessibility & Handoff

Public-facing work clears Section 508 and WCAG AA before it ships. Then it goes to the printer or the platform, and I stay on it until it lands.

05.

Accessibility & Handoff

Public-facing work clears Section 508 and WCAG AA before it ships. Then it goes to the printer or the platform, and I stay on it until it lands.

Testing & Optimization
Portrait of portfolio creator

Hi

Hi

Let's work together

Let’s build something impactful together—whether it’s your brand, your website, or your next big idea.

About me

david abraham

I’m a multimedia designer at California WIC, the nutrition program for mothers, infants and young children. But my path wasn’t exactly linear. Before this, I was at UC Davis studying physiology and behavior, fully prepared for medical school.

I left that world for a pretty simple reason because I couldn’t imagine spending my life inside a building with clinical white walls. To be honest, I just wanted to spend my days making things.

Here’s my take on design, and not everyone agrees. If it only looks good, it’s useless. A beautiful piece that doesn’t move people is just decor. Everything I create has a specific job to do, and if I can’t explain exactly what that job is, I know I don’t understand the project yet. Looking good still matters, but it isn't the point. It's how you earn the three seconds someone spends deciding whether to keep reading.

That perspective comes from working in public health. When a layout is confusing here, it means someone might miss out on benefits they actually qualify for. In my world, there’s no room for "pretty" if it doesn’t perform.

A few things I’ve built recently:

  • Welcome to WIC, a video campaign rebuilt in 11 language versions and distributed to 83 local agencies and more than 500 service sites across California

  • A Farmers' Market nutrition video now past 100,000 views

  • A 14-page impact report and design system for re:WORK Training, a Chicago nonprofit

  • A sponsorship presentation used to secure $8,000 for a national convention

Outside of my 9-to-5, I’m building ODUMAGU, a brand dedicated to bringing Igbo culture to the diaspora and creating a world that truly reflects the people in it. As an Igbo-Nigerian, I want our culture to be everywhere, and specifically authentic, vibrant, and well-designed. That’s also why I love partnering with businesses across the African diaspora.

The biggest lesson I’ve learned is that the growth never really stops. I’ll look at work I did a year ago and see exactly what I’d change today, and I fully expect to feel that same way about this year’s work a year from now.

what I can do for you

As a multimedia designer, I am a visual storyteller. I make print, video, photography, and web that connects with the reader and moves them to act.

1. Collateral & Publications

Donor proposals and cases for support

Impact reports and program briefs

Infographics, timelines, and data visualization

Print-ready files and vendor handoff

Accessiblle PDFs - Section 508 and WCAG 2.1 AA

2. Presentations

Presentation decks for donors and leadership

Editable PowerPoint your team can update without me

Simple animation and motion inside the deck

Reusable slide systems and templates

3. Video & Photography

Filming and editing in Premiere

Stewardship and thank-you videos

On-site photography for print and digital

Retouching and color correction

4. Web & Event Identity

Custom microsites built for one audience

Event branding through invitations and signage

Responsive sites built in Framer

Digital asset organization and handoff

5. Creative Direction

Recommending the right format for the message

Art direction across a campaign or event

Storyboards and treatments before production

Piloting new formats and tools

1. Collateral & Publications

Donor proposals and cases for support

Impact reports and program briefs

Infographics, timelines, and data visualization

Print-ready files and vendor handoff

Accessiblle PDFs - Section 508 and WCAG 2.1 AA

2. Presentations

Presentation decks for donors and leadership

Editable PowerPoint your team can update without me

Simple animation and motion inside the deck

Reusable slide systems and templates

3. Video & Photography

Filming and editing in Premiere

Stewardship and thank-you videos

On-site photography for print and digital

Retouching and color correction

4. Web & Event Identity

Custom microsites built for one audience

Event branding through invitations and signage

Responsive sites built in Framer

Digital asset organization and handoff

5. Creative Direction

Recommending the right format for the message

Art direction across a campaign or event

Storyboards and treatments before production

Piloting new formats and tools

Discover My Journey in Design

From a small business back office to a state program serving a million people a month, my path has been shaped by one habit, designing for the person on the receiving end rather than the one signing off.

Communications Design Analyst

California Department of Public Health, WIC

2025 to Present

Communications Design Analyst

California Department of Public Health, WIC

2025 to Present

Multimedia Designer

Okike Digital

2020 to Present

Multimedia Designer

Okike Digital

2020 to Present

Operations Manager

Wilmington Business Center

2021 to 2022

Operations Manager

Wilmington Business Center

2021 to 2022

Market Garden Intern

UC Davis Student Farm

2023 to 2025

Market Garden Intern

UC Davis Student Farm

2023 to 2025

My Tech Stack

I build with intention. InDesign for publications. Premiere for video. Figma and Framer for web. Illustrator for icons and infographics. Each tool supports a different part of how the work gets made.

Adobe InDesign

Where multi-page work lives. Impact reports, fact sheets, publications, and anything that has to hold together across a lot of pages.

Adobe Illustrator

Icon sets, infographics, and anything that has to scale from a phone screen to a printed banner.

Adobe Photoshop

Photo editing and retouching for print and web.

Adobe Premiere Pro

Video editing. Campaign videos, recaps, and multi-language versions of the same cut.

Figma

Layout and interface work, and the fastest way to share something for review before it gets built.

Framer

Web design and build. This site runs on it.

Canva

Fast turnarounds and templates other people need to use after I hand them off.

Adobe Acrobat

Section 508 remediation. Tagging, reading order, and getting a PDF to pass before it ships.

How I Work

My process blends strategy and creativity to address challenges, craft solutions, and deliver work that lands. Five steps, whether it's a single graphic or a full campaign.


01.

Audience & Goal

Before anything else I want to know who’s reading, what they already think, and what they need to do next. That answer shapes every decision after it.

01.

Audience & Goal

Before anything else I want to know who’s reading, what they already think, and what they need to do next. That answer shapes every decision after it.

Research & Strategy

02.

Emotion & Direction

Color and imagery settle a lot before a word gets read, so I work out the feeling early. Sometimes that’s warmth and familiarity. Sometimes it’s energy and momentum.

02.

Emotion & Direction

Color and imagery settle a lot before a word gets read, so I work out the feeling early. Sometimes that’s warmth and familiarity. Sometimes it’s energy and momentum.

Feedback & Refinement

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

05.

Accessibility & Handoff

Public-facing work clears Section 508 and WCAG AA before it ships. Then it goes to the printer or the platform, and I stay on it until it lands.

05.

Accessibility & Handoff

Public-facing work clears Section 508 and WCAG AA before it ships. Then it goes to the printer or the platform, and I stay on it until it lands.

Testing & Optimization
Portrait of portfolio creator

Hi

Hi

Let's work together

Let’s build something impactful together—whether it’s your brand, your website, or your next big idea.

About me

david abraham

I’m a multimedia designer at California WIC, the nutrition program for mothers, infants and young children. But my path wasn’t exactly linear. Before this, I was at UC Davis studying physiology and behavior, fully prepared for medical school.

I left that world for a pretty simple reason because I couldn’t imagine spending my life inside a building with clinical white walls. To be honest, I just wanted to spend my days making things.

Here’s my take on design, and not everyone agrees. If it only looks good, it’s useless. A beautiful piece that doesn’t move people is just decor. Everything I create has a specific job to do, and if I can’t explain exactly what that job is, I know I don’t understand the project yet. Looking good still matters, but it isn't the point. It's how you earn the three seconds someone spends deciding whether to keep reading.

That perspective comes from working in public health. When a layout is confusing here, it means someone might miss out on benefits they actually qualify for. In my world, there’s no room for "pretty" if it doesn’t perform.

A few things I’ve built recently:

  • Welcome to WIC, a video campaign rebuilt in 11 language versions and distributed to 83 local agencies and more than 500 service sites across California

  • A Farmers' Market nutrition video now past 100,000 views

  • A 14-page impact report and design system for re:WORK Training, a Chicago nonprofit

  • A sponsorship presentation used to secure $8,000 for a national convention

Outside of my 9-to-5, I’m building ODUMAGU, a brand dedicated to bringing Igbo culture to the diaspora and creating a world that truly reflects the people in it. As an Igbo-Nigerian, I want our culture to be everywhere, and specifically authentic, vibrant, and well-designed. That’s also why I love partnering with businesses across the African diaspora.

The biggest lesson I’ve learned is that the growth never really stops. I’ll look at work I did a year ago and see exactly what I’d change today, and I fully expect to feel that same way about this year’s work a year from now.

what I can do for you

As a multimedia designer, I am a visual storyteller. I make print, video, photography, and web that connects with the reader and moves them to act.

1. Collateral & Publications

Donor proposals and cases for support

Impact reports and program briefs

Infographics, timelines, and data visualization

Print-ready files and vendor handoff

Accessiblle PDFs - Section 508 and WCAG 2.1 AA

2. Presentations

Presentation decks for donors and leadership

Editable PowerPoint your team can update without me

Simple animation and motion inside the deck

Reusable slide systems and templates

3. Video & Photography

Filming and editing in Premiere

Stewardship and thank-you videos

On-site photography for print and digital

Retouching and color correction

4. Web & Event Identity

Custom microsites built for one audience

Event branding through invitations and signage

Responsive sites built in Framer

Digital asset organization and handoff

5. Creative Direction

Recommending the right format for the message

Art direction across a campaign or event

Storyboards and treatments before production

Piloting new formats and tools

1. Collateral & Publications

Donor proposals and cases for support

Impact reports and program briefs

Infographics, timelines, and data visualization

Print-ready files and vendor handoff

Accessiblle PDFs - Section 508 and WCAG 2.1 AA

2. Presentations

Presentation decks for donors and leadership

Editable PowerPoint your team can update without me

Simple animation and motion inside the deck

Reusable slide systems and templates

3. Video & Photography

Filming and editing in Premiere

Stewardship and thank-you videos

On-site photography for print and digital

Retouching and color correction

4. Web & Event Identity

Custom microsites built for one audience

Event branding through invitations and signage

Responsive sites built in Framer

Digital asset organization and handoff

5. Creative Direction

Recommending the right format for the message

Art direction across a campaign or event

Storyboards and treatments before production

Piloting new formats and tools

Discover My Journey in Design

From a small business back office to a state program serving a million people a month, my path has been shaped by one habit, designing for the person on the receiving end rather than the one signing off.

Communications Design Analyst

California Department of Public Health, WIC

2025 to Present

Communications Design Analyst

California Department of Public Health, WIC

2025 to Present

Multimedia Designer

Okike Digital

2020 to Present

Multimedia Designer

Okike Digital

2020 to Present

Operations Manager

Wilmington Business Center

2021 to 2022

Operations Manager

Wilmington Business Center

2021 to 2022

Market Garden Intern

UC Davis Student Farm

2023 to 2025

Market Garden Intern

UC Davis Student Farm

2023 to 2025

My Tech Stack

I build with intention. InDesign for publications. Premiere for video. Figma and Framer for web. Illustrator for icons and infographics. Each tool supports a different part of how the work gets made.

Adobe InDesign

Where multi-page work lives. Impact reports, fact sheets, publications, and anything that has to hold together across a lot of pages.

Adobe Illustrator

Icon sets, infographics, and anything that has to scale from a phone screen to a printed banner.

Adobe Photoshop

Photo editing and retouching for print and web.

Adobe Premiere Pro

Video editing. Campaign videos, recaps, and multi-language versions of the same cut.

Figma

Layout and interface work, and the fastest way to share something for review before it gets built.

Framer

Web design and build. This site runs on it.

Canva

Fast turnarounds and templates other people need to use after I hand them off.

Adobe Acrobat

Section 508 remediation. Tagging, reading order, and getting a PDF to pass before it ships.

How I Work

My process blends strategy and creativity to address challenges, craft solutions, and deliver work that lands. Five steps, whether it's a single graphic or a full campaign.


01.

Audience & Goal

Before anything else I want to know who’s reading, what they already think, and what they need to do next. That answer shapes every decision after it.

01.

Audience & Goal

Before anything else I want to know who’s reading, what they already think, and what they need to do next. That answer shapes every decision after it.

Research & Strategy

02.

Emotion & Direction

Color and imagery settle a lot before a word gets read, so I work out the feeling early. Sometimes that’s warmth and familiarity. Sometimes it’s energy and momentum.

02.

Emotion & Direction

Color and imagery settle a lot before a word gets read, so I work out the feeling early. Sometimes that’s warmth and familiarity. Sometimes it’s energy and momentum.

Feedback & Refinement

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

03.

Build the System

For anything with more than one piece, I set the rules first. Type, color, spacing, and iconography, so the last thing made still matches the first.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

04.

Review & Revise

Work moves through the people who own it, and I revise against real feedback rather than guesses.

05.

Accessibility & Handoff

Public-facing work clears Section 508 and WCAG AA before it ships. Then it goes to the printer or the platform, and I stay on it until it lands.

05.

Accessibility & Handoff

Public-facing work clears Section 508 and WCAG AA before it ships. Then it goes to the printer or the platform, and I stay on it until it lands.

Testing & Optimization
Portrait of portfolio creator

Hi

Hi

Let's work together

Let’s build something impactful together—whether it’s your brand, your website, or your next big idea.